Voyage au pays des images avec la Pensée visuelle

Du 28 juin au 19 juillet 2017, Fanny a eu la joie de participer aux ateliers en ligne du Visual Thinking Lab, avec Paul Messer, Mary-Alice Arthur et Amy Lenzo. – Rapport de cette immersion dans le monde du visuel.

Session 1 : Cartographier

À 19 heures, heure française, j’étais devant mon écran, en même temps que vingt autres individus à travers le globe. Les vérifications techniques d’usage terminées, la session était lancée.

Nous avons commencé par un premier exercice où, d’un geste libre, nous avons donné naissance à de jolis oiseaux. Outre l’effet d’inclusion en partageant nos productions très personnelles, la force d’un tel exercice basé sur le principe « Tu as une main, un crayon, c’est bien assez ! » est apparue dans toute sa clarté !

Puis, le principe de modélisation a été abordé avec des questions venant chatouiller les évidences, telles que : « Que voulons-nous représenter, en fait ? », « Jusqu’à quel niveau de détails avons-nous besoin d’aller ? » « Quelles sont les images que les personnes ont déjà dans la tête ? »
Ces questions font remonter à la surface les choix pratiques d’utilisation des outils visuels, quel que soit le niveau de chacun.
Elles se posent à la fois sur la technique et sur la posture. Dessiner, c’est représenter les choses qu’il y a autour de soi. Et c’est aussi se représenter, soi, parmi ces choses. Philosophie ? Bien sûr, comme pour toute discipline. Ce n’est pas parce que nous travaillons sur les images que nous devons être superficiels !

Paul nous a proposé d’aller plus loin que les outils lors de ces ateliers en ligne. Il a cherché à nous transmettre la pensée du designer, ou design thinking, fonctionnant pour beaucoup sur la pensée visuelle. Les designers se soucient d’apporter des solutions originales aux problèmes actuels. Ils sont amenés à sortir des sentiers battus, donc à utiliser de nouveaux outils, incluant l’image.

Une mise en pratique de ces réflexions s’est faite avec l’activité « Dessinez votre projet », à présenter en sous-groupe ensuite. Paul a expliqué que sa méthode de transmission combinait son expérience de facilitateur graphique avec les pratiques de l’Art of Hosting, ou l’art d’accueillir les conversations qui comptent. Il n’était pas question de directives sur comment dessiner, mais de questions à se poser pour avancer. « Qu’est-ce que je vois ? » et « Qu’est-ce qui manque ? » Outre l’approche bienveillante, ces interrogations font appel au sens… du visuel !

Nous attendions des retours sur des éléments techniques des dessins (« On verrait mieux le titre si tu le faisais comme ci »), mais, en fait, dessiner son projet, c’est faire des choix, et cela révèle beaucoup sur la façon de penser son projet (« Pourquoi tu as mis ces mots en gros alors que tu nous a dit que le titre c’était ça ? »). Utiliser l’outil visuel permet de faire émerger l’invisible, ce qui n’aurait pas pu ressortir par une autre voie(x). Les retours par les différents participants étaient variés, mais tous enthousiastes.

Session 2 : Raconter en images

Il s’agit de la phase de mise en images sous une forme narrative de nos projets, ou storyboard. Paul a insisté sur cette étape qui correspond à la phase de prototypage dans le design thinking. Cela n’a pas vocation à être parfait, mais de donner à voir. Comme nos dessins.

Nous avons d’abord travaillé sur la notion de persona. Pourquoi lister les caractéristiques des personnes que nous souhaitons aider à travers nos projets alors qu’il est si simple de les dessiner ! Leurs portraits sont apparus sous nos yeux, rendant palpables ces inconnus. Pouvoir les imaginer permet de mieux travailler avec eux.

Ensuite, pour préparer le terrain du storyboard, nous avons pratiqué l’outil du crazy eight. Je le nommerais bien « les 8 magiques », tellement j’adore cet exercice ! Pour faire court, il s’agit de dessiner dans un certain nombre de cases (ici huit), un dessin par case en un temps donné (ici une minute par case donc par dessin). Là encore, il est tellement évident que le dessin permet de trouver de nouvelles idées, non pas pour mieux représenter son projet, mais pour mieux le penser, le remettre sur le métier et le faire progresser.

Cette expérience de narration visuelle, très forte, fait ressortir le cœur de nos projets, en visualise les manques, en révèle les intentions, et permet aussi de clarifier nos démarches et de visualiser concrètement le processus que nous proposons.

Session 3 : Le pouvoir de l’image

Paul nous a donné des exemples avec les affiches de cinéma qui indiquent immédiatement le style du film, mais aussi la question du cadrage qui donne un sens à une photo ou, encore, la puissance des symboles. C’est une réflexion que j’aborde aussi en formation, la responsabilité que nous avons, en tant que facilitateur graphique, des images que nous produisons et utilisons. Nous avons aussi des choix à faire : des images simples pour se faire comprendre ou des stéréotypes que l’on reproduit ? Comment par exemple représentez-vous le temps? Quelle est l’image qui vous vient ? Horloge ? Chronomètre ? Que faites-vous alors de la dimension vivante, dynamique du temps ? Pourquoi ne pas dessiner une spirale plutôt, pour sortir de la segmentation, de l’enfermement véhiculés par le chronomètre ou l’horloge ? Nous pouvons sortir des idées préconçues pour aller au plus proche du sens que nous souhaitons exprimer !
D’où l’importance de prendre le temps de produire ses propres images et de se constituer une bibliothèque visuelle. Nous pouvons exploiter tous les éléments graphiques à notre disposition pour rendre visibles les nuances, faire émerger les points de vue et les perceptions, relever les points communs et les différences.

Session 4 : Nouvelles technologies

Transposer une image faite à la main sur un ordinateur peut être chronophage. Aujourd’hui, il est possible de dessiner directement sur tablette avec des logiciels dédiés, que l’on peut allier aux réseaux sociaux. Ainsi, à la capture en images, peut s’ajouter l’instantanéité de la diffusion, ouvrant alors de nouveaux horizons de possibles.

Pour résumer, le Visual thinking lab est une formidable rencontre entre passionnés du visuel, que l’on sache dessiner ou pas. Ce ne sont pas des ateliers qui se confinent dans des techniques. Ils invitent à une transformation de ses propres pratiques. La proposition est de toucher du doigt la beauté de la pensée visuelle pour pleinement investir les outils qui l’emploie, afin de penser, construire, créer ensemble.

Comme disait un barbu plutôt lucide, nous ne pouvons résoudre les problèmes avec le même mode de pensée que celui qui les a engendrés. Alors, empruntons la voie du visuel !

Venez nous rejoindre, à Toulouse, Montpellier, Marseille ou Lausanne, en novembre prochain pour révéler, mettre en lumière votre pensée visuelle.

Comme le dit Paul :« nous sommes tous des apprenants visuels »

 

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Principles and processes for co-designing self-organizing events

It’s easier than it sounds. If you organize events, this is for you.

The international Art of Hosting community has developed a different way to design gatherings. There is an underlying pattern that has been fine-tuned and experimented around the world for over 20 years. No matter what the convening topic, from collaboration methods to water management, to financial matters, it is possible to design, organize and meet with the flavour and feel of life, because they are the result of an underlying pattern.

Participants and conveners do not necessarily get to see this backstage, (how the hosting team works together through the design/preparation day and onwards) though everyone is sensing its existence. Over and over, it has laid the conditions for groups to experience a functional self-organizing operating system, live an enlivening experience, access deep co-learning, and do good work. A friend with decades of event organisation explains it as an update of the system software we have been working with for a long time; a 2.0 version, if you will. This is my attempt to share the pattern in a practical and helpful way, without reducing it to a simple recipe to follow. The pattern holds deep consciousness and wisdom, and I hope I am honouring it well. It begins with three principles.

It is wise that a facilitation team spends some time together just prior to a convening. The length of time will depend on elements such as the duration of the convening, the familiarity between the team members, the challenges and risks. Typically, for a three-day event, the hosting team will spend one or two days together prior to the event. For a very short meeting, the hosts will spend a shorter time.


Principle 1: Responsive design — Wait until as close to the gathering/training as possible to design the program

Certain aspects related to organizing a gathering/training can and should be done well in advance of the event, such as the venue, food, decorations, lodging, budget, registration, communication. What the team also does upfront is getting to know the context more, and getting to know each other a better, so they become a real team. As for the design of the actual program, if we want it to be acutely responsive to the context and needs that connect to the convening, to the tiny changes, local and beyond, that are forever taking place right up to the first day of the convening, then it makes sense to leave the programming to just prior to the event.

Friendly warning: We have become so accustomed to developing our event programs months in advance of an event, that waiting until just prior to the event may generate a certain level of anxiety.

Principle 2: A strong container — Give importance to the invisible field that holds a meeting

If we want power, depth and flow in our gatherings then we will need to accord time and space to build what we call, for lack of a better word, “a relationship field” or a “strong container”. This is the invisible field that holds the potential of a group. It is the collective presence and the quality of the relationships between the team members that make up the quality of this field. If this is strong and healthy, it can facilitate generative conversations, paradigm shifts and deep connections. With it, the event team will stay in healthy collaboration even if the event brings stormy weather. This can mean taking time to be together, play, sing, cook, share silence, whatever flows. This is how friendship and familiarity grows. Being in good relationship with yourself and with others helps to enjoy and benefit from the diversity of others.

Friendly warning: We have become so accustomed to time management for performance that giving time and spaciousness to being together may cause some anxiety.

Principle 3: — Learning edges, self-organisation and community of practice — Practice our own medicine

Every work session in the preparation is a micro-example of what is being created. How you are imagining the event should be showing up during this preparation time. If you want participants to harvest online, the team should start during the design days. Be in this practice with the team before the event and you will be practicing well at the event. The practice contributes to the container. If we want the event participants to experience deep learning, then the team should share their learning edges with each other. If the team is trusting and trying something new during the convening, beyond our fears, with the support of each other, then we are modelling that for the whole event. There is life in the trembling and this is being in a community of practice.

Friendly warning: We have become so accustomed to showing up with our expertise that it can be uncomfortable to reveal our learning edges.

How do we design together?

When we finally get to design the actual event our reflex is to jump in directly. Go slow and begin with the following. By doing these steps, the design that is needed will reveal itself. Embody the principles described above in the actual design time.

Need, purpose and participants

Take time to strengthen the connection to the need underlying the event and then to the purpose. Since the purpose is the invisible leader it needs to be held clearly by the whole team. The original call for the event began with this and so should the design. It is the centre of the work.

Team learnings

What is the intention or learning edges of each person in the team? If we want to facilitate learning we need to be in learning ourselves. If we embody the work we strengthen it.

Sensing in

Take time to understand the context, the people who will be coming, what is going on around to be more in tune and responsive to what is needed. Listen with all your senses, on all kind of levels.

Outputs — Acting more wisely for the world

Good work should always yields real results. The Hopi Indians say: “Will it grown corn for the people?”. What is the convening going to create that will be useful for the world?

The venue

The venue can support the quality of the convening. When it is possible spend some time at the venue? Connect and feel the flow in the space. How can the event make use of it? Are there any outdoor possibilities? Imagine the space and beauty unfolding. Embrace the constraints that come with it.

Friendly reminder: It is not either or, you need the analytical and planning capacities together with many soft skills.

How do we design for self-organization?

When the time comes to actual designing the event, the same principles apply.

  1. Clarify responsibilities/teams

If the event goes over a few days, create sub-teams. One way to approach this is a team for each day, a team for space and beauty and a team for documenting (harvesting). It can be helpful to identify how many spots there are in each team; then it is clear if people are in a single team or multiple teams. When it is time to decide who is in which team, in a self-organizing framework it is important that each person choses for herself. It can be useful to invite people to think about their offering and their learning edges before and then place pens on the table and in silence everyone writes their name where they are feeling they should be. It is important to note that the sub-team have a role of stewarding the tasks, not of executing all the activities and work of the day.

2) Clarify the flow and structure

Each team spends time designing a flow of activities for their area of responsibility. It is NOT yet time to dig into the design, only identifying the flow of activities (ex. team hosts, team coaches, participants) and the number of each. Then, to ensure that all the parts work together, the teams share their flow and activities and receive comments. Friction points and blind spots will be revealed. The teams then have a bit of time to produce a second version of their flow and activities if necessary. The group then comes back together to agree on the design. In this way everyone is aware and in support of the total design.

3) Activity designing

Only now each person identifies the activities/roles they will be responsible for, individually or in teams. Now each activity can be designed in detail. Those for day one will take priority. Some will be done prior to the event and some will be designed during the event with (some of) the participants (during breaks or evening).

4) Inviting in

During the first morning of the event, participants are invited to step in with their own activities or proposals within the scaffolding structure set up by the team. This structure holds the space so that the facilitation/hosting and documenting/harvesting can be done with the ample participation of all, in an open and flexible way. When the preparation work has been done – attending to all the details with care — the principles described above allow the loose structure to be held with quality and rigour. It can appear chaotic but the freedom is held by a container that supports coherence, alignment and freedom. It allows us to open up to what is possible and alive. This is how we organise amongst ourselves.

The Art of Hosting way creates a self-organizing operating system, an edginess of possibility, a depth of learning and a quality in human connection that often eludes us in other types of gatherings and meetings. Events all over the world are organized in this manner with great success, from the European Institutions, to local neighbourhoods, from businesses to professional networks.


Learn more about Art of Hosting and upcoming trainings.

Thank you to Ria Baeck for contribution and support in writing this article.

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What are you doing on Tuesday? Or why Percolab has open team meetings.

“Well, why don’t you just come to one of our team meetings?” I say to the barista, “They are every Tuesday from 10 am to noon at the ECTO Coworking.”

He nods seriously and notes the time and place on a napkin behind the counter. I pick up my latte and wander off to one of the tables in the corner to work out a team budget proposal for one of our upcoming projects.

Inviting not-so-random folks to Percolab’s team meetings has become one of my everyday practices. I must extend at least 5 or 10 of these invitations a week. Sometimes these invitations are received as a gift and a possibility, like in the case of this barista who has just finished a graduate degree in urban planning and is interested in citizen co-design and consultation – one of Percolab’s areas of expertise. He had recognized me from a strategic planning session I had facilitated for one of the units at the university he attended.

Other times, the invitations are received by eyes wide with disbelief as though I had invited this human I have just met to my Sunday family brunch: please bring the mimosas and then you can go jump on the trampoline with the kids and Matante Guylaine.

“Why would you invite me to a team meeting?” said human demands, “Don’t you deal with, like, internal stuff at your meetings?”

“Yes,” I confirm, “we deal with internal stuff. Some of it is strategic, some of it is operational, some of is has to do with our personal dynamics, the first Tuesday of the month is about Percolab International. Some meetings deal with money and how we self-attribute our earnings, sometimes we even process conflicts in our team meetings. Like I said, Tuesday at 10 am – you should just come participate.”

“Um, OK, I can come observe,”says the human, “I am really curious. I won’t be distracting. I promise.”

“Yeah…well… no, that won’t work,” I reply with a suppressed smile, “I’m not inviting you to come observe us. We are people not hamsters. I’m inviting you to come be with us, to participate. Help us think through our challenges and issues, bring in all of your experience, and intelligence, and wisdom, contribute to our decision-making.”

“Really?” the human inquires, “But you only just met me! How can I understand all of your context and policies and regulations? How can I possibly contribute to decision-making? What will your boss say?”

“Well, to start off with there are no bosses at Percolab, we are a truly flat organization and we make decisions through a consent-based approach. And of course you can’t possibly understand everything we are about. But attending a team meeting is sure a more effective way of getting to know us than reading our “About” page online. If we are discussing an issue that needs to be decided upon and you, from your understandably limited perspective, are able to see a potential risk to the organization, we are gonna listen and take that into account as we move forward.”

“OK,” says the human – I can see that they are getting really curious, “but will I be the only stranger there?”

“I have no idea,” I say, “we’ll know when you show up! Some weeks we have no guests (we don’t call them strangers), often we have one or two, and a few times when several members have been out working with clients, we have had three times as many guests as Percolab members! Those weeks are usually great for brainstorming about issues we’ve been trying to work through, like rethinking our website.”

“Doesn’t it get exhausting having new people at your meetings every week?” inquires the human.

“It can be,” I admit, “Some weeks I’ve been downright grumpy about having to host new people into a team meeting, especially when there is a topic that is really important to me. Yet, again and again, I find our guests help me think through some tough questions about both our work with clients and how we work together as a team. Especially, if the person doesn’t “get” what we do easily, it challenges us to be clearer in how we speak about ourselves and cleaner in how we work together. So I might arrive grumpy but I almost always leave energized… coffee helps.”

“What type of people come to your meetings?” they ask.

“Some of the guests at meetings are interested in collaborating with us, some want to study us for academic purposes, some attend our meetings so they can learn about self-management and maybe even bring new practices to their own organizations, some are international experts passing through Montreal who want to jam with us, some are clients we already work with or are thinking of working with us – attending our meetings gives them a really good practical sense of our applied knowledge. One of my favourite things to do is invite all the participants in my workshops to come to a team meeting. You should see their faces!”

“OK, I’m in!” exclaims my new human friend, “I’ve been wanting to learn about self-management for a long time but I haven’t been too sure if my team is ready for it. Seeing it in action would really be helpful. It makes me feel a lot better to think that I won’t just be some voyeur and I can contribute with any knowledge or experience I already have. I find this idea of open meetings really inspiring and unusual. You guys sure are brave to do this!”

“Well…” I respond cautiously. I want to be able to accept this compliment but at the same time I am slightly irked that this practice that I find so normal is deemed as brave. “Well, we have a choice: we can talk about collaboration or actually experiment and experience what it is like to work with “strangers”. We can talk about transparency or open ourselves up to others so we can truly be seen, for better or worse, and understand ourselves and our blind spots better. We can talk about collective intelligence or actively engage in thinking with other people who come from really different backgrounds. To me and to probably everyone else at Percolab too, opening up our team meetings is a practical benefit to the organization, the generosity people show us by sharing their insights into our work is amazing. But opening our team meetings is also a meaningful and symbolic act: we are a fractal of how we would like organizations to function in the world. Imagine, if governments and institutions and corporations and foundations and community organizations had as their base model meetings that were open, transparent, collaborative, and drew on collective intelligence? Just that. Imagine that. ”

“Whoa!” says the human, “I’m gonna need to wrap my mind around that one. Maybe we can talk about that after the meeting on Tuesday.”

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The city of the future is the one people narrate together

Guest Author: Mary Alice Arthur, Get Soaring

If you’ve ever been to Montreal, you will have experienced the vibrant hum of the city. It is a city that has distinctive neighbourhoods and an international flavour, and it is also a city committed to exploring and vitalising diversity. 2017 marks 375 years for Montreal and the city is helping to mark the celebration by making a public process of community storytelling.

Imagine, if you will wooden circular structures popping up in the midst of St Catherines walking street or in your local neighbourhood. They look very much like an open basket, because that was their inspiration.

Their intention is to create a network of points in space that transform people’s narrative about where they are and how they inhabit the space. Although they appear like little separate pods, they are all connected to the element of surprise and forming community, enabling people who sit in them to imagine space in a different way and create possibilities that were not there before.

They are called Nacelles, a French word meaning the basket of a hot air balloon, but conceptually pointing to network or multiplicity. In a tangible, physical way, they create a commons, a place to gather and share. By their very shape, they create an interesting bounded object in a public space in the shape of a circle. You’re exposed like you would be in public space, but you have a container of intimacy, and intentional collaborative moments in conversation. The nacelles create intimacy while you’re outside.

Each Nacelle is a set of pre-fabricated pieces which are easy to build together in about 20 minutes. In fact, the very act of building them starts creating community. They are about 12 feet in diameter, and seat around 12 – 15 people on two tiers of benches with a small table in the middle. But they are also permeable. People can stand outside the structure and lean in, making it possible to take part in something, even if you’ve just arrived.

Using these structures for public dialog and storytelling is the brainchild of French-based group Comm1possible. It fits seamlessly into Montreal-based practice Percolab‘s approach to dialogue and storytelling. Cédric Jamet explains: “We need more ways to connect people than social networks. The “smart city” as we think about it, is not enough. We need structures that allow us to do this in a real and physical way. That’s how Nacelles emerged.

“There was a consciousness around the circle as a way to connect people that informed the structure of the Nacelle. The idea of the city of the future is a city created by the people who live in it. Nacelles become a physical representation of that.

This project around inclusion is also around sharing individual stories, and what comes up is a common story of inclusion.

“When we think about it, this project around inclusion is also around sharing individual stories, and what comes up is a common story of inclusion. Nacelles help create a commons. The original idea was how can we experiment to create urban commons and cities as commons. That’s where it came from and where it’s headed. Really at the heart of the project is the idea of what becomes possible when we build the spaces we live in together.”

“The physical structure invites curiosity. And when you go over the threshold of curiosity it invites in relationship,” says Elizabeth Hunt. “One of our upcoming projects is around diversity and multi-culturalism with a borough of Montreal. Around their multi-cultural citizen day, we will be working with storytellers in the nacelles and then we will invite citizens with their own stories of how to shift the dominant discourse from integration to one of inclusion.

 

 

 

 

 

 

 

 

 

 

 

“It’s about building this together, shared responsibility. People show up with strollers, walking their dog. When a whole bunch of different kinds of people are there, you have the permission to go see. It’s a strange attractor. You enter the structure as strangers and emerge as allies. We are continuing to ask ourselves how we can use Nacelles as a collective sensemaking structure.”

Cedric chimes in again: “It shapes a bunch of things, experimenting with the Nacelle as a natural way to inclusion. We all have a relationship to this theme, whether we are born here or not, came here or not. I was hosting during the storytelling process – the storyteller was indigenous and his theme was around what it is to welcome and host people in. I was thinking ‘I’m an immigrant here. I’m French originally. I have a colonial background in me.’ Everyone who participated and shared stories verbalized their connection to this place in ways that were not anticipated. There’s something that happens when story gets shared and space gets held. Holding space is the condition for emergence. Something special happens.”

Elizabeth agrees, even though her story is completely different: “I’m born and bred in Montreal – same hospital as my dad – 11 – 15 generations each side. Those streets I’ve walked as a child, my parents, my grandparents also walked. I graduated from University on those steps over there. I had supper with someone there a few blocks over. My relationships to this space – what else is possible in my relationship to this city – is forever transformed by being there with the nacelles. We can transform an area into a storytelling platform, what else can we do in terms of moulding this city?”

Percolab has been partnering with French company Comm1Possible, which developed the concept and has used the nacelles in France and Morocco. Percolab is their only North American partner, but it seems obvious that the nacelles are far more than a way of creating community conversation and storytelling.  Even the way the two organisations are working together is seeking to create a commons out of the application of nacelles.

“Nacelles help create a commons,” Cedric tells me. “Then there’s the whole aspect of how we work together — if our purpose is to create commons, then Nacelles itself has to be a commons. That’s what we’re building on with Comm1Possible – how do we develop the system supporting Nacelles that is thought of and lived as a commons? Yes, there’s the object, but there’s a whole philosophy and business model that goes around it.”

Elizabeth continues: “We haven’t explored the questions, but the physicality of it invites the questions – how do we share this? Who does it belong to? How do we share the decisions? What is our vision for greater social change? We’re trying to work a commons based agreement – our working relationship is a commons relationship.”

In the end, it comes back to the magic of creating a space for people to narrate their common future.

As Cedric says: “The more people there are in the Nacelle, the more the Nacelle becomes invisible and it becomes a circle that’s about people. When we were using them on St Catherine and I walked away for a few minutes, I could see a conglomerate of people, but you couldn’t see the Nacelles. It was like a bunch of grapes but you can’t see the stem. It is an architecture that is holding people together but that you can’t see when its working well – it becomes invisible. That’s a metaphor for excellent hosting work.”

 

Find the original post by Mary Alice Arthur

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Percolab needs to be seen!

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