Growing up, noone remembers the first time they drew. We were given crayons, pencils, pens, paper and encouraged to draw. From simple marks on the paper, to representations of our home, our family, our world we saw. We were encouraged and supported to make more.
We learnt from it, we better understood our world through it, we got feedback from each stroke, each picture, each adult (or sometimes) children who saw it. It shaped our understanding and learning. Helped us see our place, that of others and to break things down into simple component parts.
We were liberated, free, without guilt or questioning our abilities. It didn’t matter what we drew, it helped, aided us in our understanding. It wasn’t art, it was what it was. Adults encouraged us, proud in the development they saw. We were given different tools, found new ways of marking the paper, paint, different pens and colors. We explored the mixing of colors, we reflected the world and chose colors that supported the understanding to us what it was, green for trees, blue for sky. We drew to tell stories, we brought life to the pictures, they served a bigger intention than just doodling. But then we stopped, we wrote, we clicked. Drawing became the tool of creatives: artists; designers; architects etc.
But, what happens when we draw like a child in our adult world?
What happens when we draw our system, map out the elements, their relationship to each other. What happens when we listen to a group and visualise the connections, provide feedback to groups through visual scribing? Or when we use visual metaphors and visualise frameworks to better our collective understanding?
Welcome to the world of Visual Thinking.
Methodologies and tools: Facilitation graphique | Visual Thinking